Distinctly Montana Magazine

W W W. D I S T I N C T LY M O N TA N A . C O M 51 TELL US ABOUT YOUR FASCINATION WITH THE OLD WEST OF THE LATE 1800S, AND HOW IT INSPIRES YOUR ART. My fascination with the Old West began with my love for horses. Growing up in Texas, my friends lives' and mine seemed to be revolve around horses. I have many fond memories of riding, camping and participating in rodeos. Match this with the love of art and it only seems natural that western art is where I would settle. I was fortunate to be raised in an era of western movies with stars like Roy Rogers and John Wayne. e Old West of the late 1800s depicted a time where my imagina- tion could run wild. It was a time in history filled with adventure, a simpler time when a man's handshake was his word of honor. I en- joy capturing the stories and spirit of the Old West on canvas while giving the characters a world to live in. YOUR FATHER WAS A GREAT INFLUENCE ON YOUR APPROACH TO ART AS A PASSION AND PROFES- SION. WHAT WAS IT LIKE TO HAVE YOUR FATHER AS A MENTOR? Having my father as a mentor was a bless- ing. In my early youth he instilled in me a strong work ethic and we both shared a passion for art. When people asked him how long his son had been painting, he joked that he used to wipe his brushes off on my diapers when I crawled by. My father took art seri- ously and believed in learning the fundamen- tals first. For several years he pounded them into me. A lot of people don't know that I got my start in this business painting signs. By the time I was fourteen I was for all practical reasons a professional sign painter, lettering windows and trucks. My mother would drive me around town with my paint box to grocery stores and furniture stores where I would paint windows with weekly specials or Christmas scenes. is experience taught me to design and create a mood. WHO WERE YOUR OTHER ARTISTIC INFLUENCES AND HOW DID THEY CONTRIBUTE TO YOUR SUCCESS? Because my father was famous, he had a lot of other recognized artists in his studio. It was priceless for me to hear them talk about their ideologies in art or what they were trying to improve. I really admired American illustra- tors. Andrew Loomis had a book called Creative Illustration that showed how every facet of art applied to illustration. Over the years I have developed a style in my paint- ing in which a design is created to bring out an intended message. I try to do that in my paintings not only from a commercial aspect but from a feeling aspect. With the original personalized giclees that I am painting I learned how to put a person's name in the painting where it is important and subliminal. The Mustanger CONTINUED GARY LYNN ROBERTS, a storyteller, welcomes you into his canvas. Carry- ing on the tradition in oils, Gary Lynn is a third generation artist, his major influence being his father, Joe Rader Roberts. Gary Lynn started winning awards at the age of 14 with a piece at the Houston Livestock Show and Rodeo. Since then his paintings have continued to win awards, grace the cover of magazines, and hang in prestigious collections. Gary Lynn's paintings are primarily displayed at the Legacy Gallery in Bozeman, Jackson, WY, and Scottsdale, AZ. Upcoming shows include a one-man show at the Legacy in Bozeman on August 12th and the Buffalo Bill Art Show & Sale in Cody, WY, on Sept. 23 & 24. Giclée prints are available through Bitterroot Publishing.

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