Distinctly Montana Magazine

Distinctly Montana Fall 2014

Distinctly Montana Magazine

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w w w. d i s t i n c t ly m o n ta n a . c o m 29 Depot Gallery, Red Lodge Copper Sun Gallery, Kalispell Frame Hut and Gallery, Billings Twin Rivers Gallery, Big Timber ORGAniZATiOnS AnD ACTiViTiES Oil Painters of America Montana Professional Artists Association Blue Buffalo Artists Western Masters Artists, Great Falls Juror of numerous shows, most recently for Custer County Art Museum, Miles City instructor of oil painting fInally, What doES your Work rEVEal aBout roBErt tomPkInS outSIdE thE mEdIum? What Would you lIkE our rEadErS to knoW aBout your PErSonal attrIButES and thE lIfE ExPErIEnCES InfluEnCIng your Work? My interest in art began early, as an immersion in beauty from the mountain landscape as well as the connection with my uncle and his sharing of flow- ers from his rock garden and his slide shows. I also had a musical education that I believe relates to art in that it is mathematically based on unity and har- mony. A well-designed painting involves harmony just as in music chord structure. I drew in school, going through an airplane phase, then designs, later life drawing. In college I took a design course when possible. I went on to the doctoral level in clinical psychology, specializing in neuroscience and medi- cal psychology. I began painting seriously about 25 years ago. My brother. a photographer, mentions that my art comes from "deep inside.'' When some- one reacts to a painting emotionally, it doesn't get much better. Spanish Peaks Wildflowers Moving On The strength of the movement, the features and poses are critical to achieving the dynamic symmetry I am looking for in a painting

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