Distinctly Montana Magazine

2025 // Fall

Distinctly Montana Magazine

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63 w w w . d i s t i n c t l y m o n t a n a . c o m Cimino's initial budget for the film was supposed to be around $7.5 million, which was still an enormous amount in the late seventies. But Cimino had brought The Deer Hunter in at around $15 million, which was about double what the studio had originally allocat- ed. People forgive a lot when you win five Academy Awards, including Best Picture and Best Director. United Artists had also become accustomed to this routine, hav- ing just gone through it with Coppola while he tried to get Apoc- alypse Now in the can. Nobody would blame the failure of either of these films on Jo- seph Cotten, of course. But it's interesting to ponder whether Cimino's choice to open what was supposed to be an epic fol- low-up to his most successful film wasn't a bit of an omen. Espe- cially considering that the first words Cotten speaks—the first words of the film—are: "My friends, if it be not a mere farce you are enacting…" It must have been an exciting time to live in Kalispell in 1974 when Mr. Cimino decided to shoot Heaven's Gate in that town of around 10,000 people. As a testament to Cimino's workmanlike approach, he showed up to start shooting in Kalispell the day after he won his Oscars, but the crew had been there for several months, building sets.

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